{"id":4713,"date":"2025-05-02T14:23:10","date_gmt":"2025-05-02T12:23:10","guid":{"rendered":"https:\/\/en-classe.festivaldemarseille.com\/?page_id=4713"},"modified":"2025-09-01T15:44:30","modified_gmt":"2025-09-01T13:44:30","slug":"pgm-2025","status":"publish","type":"post","link":"https:\/\/en-classe.festivaldemarseille.com\/index.php\/2025\/05\/02\/pgm-2025\/","title":{"rendered":"Programmation jeunesse 2025"},"content":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.14.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb collapsed=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.14.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.14.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.14.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

La programmation de la 30e \u00c9dition du Festival de Marseille est sortie !<\/h2>\n

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Pour avoir toutes les informations concernant les spectacles, ateliers, soir\u00e9es, et projections de films vous pouvez retrouver des ressources sur le site du Festival de Marseille.<\/a><\/p>\n

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Pour r\u00e9server vos places<\/h4>\n

04 91 99 00 28
ou rp5@festivaldemarseille.com<\/p>\n

Tarif : 5 euros par \u00e9l\u00e8ve
REP\/REP+, la tarification Charte Culture peut s’appliquer : 1 euro par place. Contactez-nous pour en savoir plus.<\/p>\n

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\u00a0<\/h3>\n

\u00ab <\/em>Chroniques <\/em>\u00bb<\/em><\/em> – Peeping Tom<\/h3>\n
18 juin 20:30 \/ 19 juin 19:00 \/ 20 juin 21:00 - Th\u00e9\u00e2tre La Cri\u00e9e<\/pre>\n
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La compagnie Peeping Tom ?\u00a0<\/strong>Figure incontournable de la sc\u00e8ne contemporaine flamande, la compagnie Peeping Tom, dirig\u00e9e par Gabriela Carrizo et Franck Chartier, s\u00e9duit par un style singulier, radical et r\u00e9solument immersif.<\/p>\n
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Sa signature ?<\/strong> Des sc\u00e9nographies spectaculaires, \u00e0 la fois sophistiqu\u00e9es et hors normes, qui plongent le public dans une exp\u00e9rience troublante, \u00e0 la crois\u00e9e du th\u00e9\u00e2tre et de la danse.<\/p>\n
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De quoi \u00e7a parle<\/strong> ? Avec sa toute premi\u00e8re cr\u00e9ation en solo, Gabriela Carrizo poursuit une d\u00e9marche artistique profond\u00e9ment intime et sensible.<\/p>\n
Fid\u00e8le \u00e0 l\u2019univers singulier de Peeping Tom, elle nous invite ici \u00e0 plonger dans une r\u00e9flexion troublante sur l\u2019existence humaine, en explorant un th\u00e8me aussi vaste qu\u2019\u00e9nigmatique : la relativit\u00e9 du temps.<\/p>\n
Dans cette pi\u00e8ce, le temps se distend, se d\u00e9robe, se fragmente. Sur sc\u00e8ne, les rep\u00e8res se brouillent. Le spectateur est immerg\u00e9 dans un univers envo\u00fbtant et hybride, o\u00f9 r\u00e9alit\u00e9 et imaginaire se confondent. On y retrouve des touches de fantastique, une atmosph\u00e8re \u00e9trange digne d\u2019un cabinet de curiosit\u00e9s, et une po\u00e9sie visuelle qui trouble autant qu\u2019elle \u00e9merveille.<\/p>\n
Une exp\u00e9rience unique, inclassable, qui marque durablement celles et ceux qui s\u2019y laissent entra\u00eener.<\/p>\n
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\u00ab C<\/em>oup de Gr\u00e2ce \u00bb <\/em>– <\/em>Michel Kelemenis<\/h3>\n
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21 juin 21:00 \/ 22 juin 18:30 \/ 23 juin 19:00 - KLAP Maison pour la Danse<\/pre>\n
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La danse peut-elle nous gu\u00e9rir apr\u00e8s un drame\u00a0?\u00a0 Les 7 danseur\u00b7euses nous plongent dans un monde en crise o\u00f9 l\u2019espoir, le collectif et la solidarit\u00e9 semblent \u00eatre la seule solution.<\/p>\n
[\/et_pb_text][et_pb_video src=\u00a0\u00bbhttps:\/\/vimeo.com\/1076656581?share=copy\u00a0\u00bb _builder_version=\u00a0\u00bb4.14.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.14.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/en-classe.festivaldemarseille.com\/wp-content\/uploads\/2025\/04\/FdM2025_COUPDEGRACE_MichelKelemenis\u00a91Cube.jpg\u00a0\u00bb title_text=\u00a0\u00bbFdM2025_COUPDEGRA\u0302CE_MichelKelemenis\u00a91Cube\u00a0\u00bb _builder_version=\u00a0\u00bb4.14.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.14.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.14.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider show_divider=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.14.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.14.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.14.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.14.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]Qui est Michel Kelemenis ? <\/strong> Directeur actuel du KLAP Maison pour la Danse, et fondateur de la compagnie Kelemenis&cie. Ancien grand danseur pour Dominique Bagouet au CCN de Montpellier. Il collabore avec de nombreux grands ballets en France et \u00e0 l\u2019international. Son \u00e9criture puissante et physique est reconnaissable par sa gestuelle n\u00e9o-classique. [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.14.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n
C\u2019est quoi \u00ab Coup de gr\u00e2ce \u00bb ? <\/strong>Bien que le sujet abord\u00e9 soit difficile, les sept interpr\u00e8tes s\u2019\u00e9lancent dans une totale exploration entre l\u00e2cher prise et forme de combativit\u00e9, cherchant \u00e0 atteindre une forme de gr\u00e2ce. Dans ces tableaux dansants, par des gestes ancr\u00e9s, saccad\u00e9s et directs, la col\u00e8re, l\u2019incompr\u00e9hension et la tristesse se transforme en une force commune.<\/p>\n
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Pourquoi une \u00ab recr\u00e9ation \u00bb ? <\/b>Cr\u00e9\u00e9e en 2019 en r\u00e9ponse aux attentats de 2015, cette pi\u00e8ce est une ode \u00e0 la vie. Cette reprise fait sens dix ans apr\u00e8s et met l\u2019accent sur l’importance du souvenir.<\/p>\n
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\u00ab 360 \u00bb<\/em> Medhi Kerkouche CCN de Cr\u00e9teil et du Val-de-Marne EMKA<\/h3>\n
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25\/26\/27juin - 21:15
Centre de la Vieille Charit\u00e9<\/pre>\n
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\u00ab\u00a0I make people dance\u00a0\u00bb<\/strong>, \u00e9crit Medhi Kerkouche.<\/p>\n
Une phrase simple, directe qui r\u00e9sonne comme un manifeste, une promesse. Et il tient parole. Avec 360<\/em>, sa toute nouvelle cr\u00e9ation, le jeune prodige de la danse fran\u00e7aise propulse le public au c\u0153ur du mouvement, dans un dispositif sc\u00e9nique in\u00e9dit et sensoriel.<\/p>\n
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Qui est Medhi Kerkouche ? <\/strong> Passionn\u00e9, curieux, audacieux : Mehdi Kerkouche fait partie de cette g\u00e9n\u00e9ration d\u2019artistes qui r\u00e9invente la sc\u00e8ne. Chor\u00e9graphe pluridisciplinaire, il s\u2019est fait conna\u00eetre du grand public gr\u00e2ce \u00e0 ses collaborations avec des figures incontournables de la pop culture comme Ang\u00e8le ou Christine and the Queens. Mais son univers va bien au-del\u00e0 de la musique : Mehdi aime les formes hybrides, les shows, les espaces.<\/p>\n
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C\u2019est quoi\u00a0 \u00ab\u00a0360″\u00a0<\/em> ? <\/strong>Avec cette pi\u00e8ce, Medhi Kerkouche va encore plus loin. Il a pens\u00e9 un spectacle o\u00f9 la sc\u00e9nographie circulaire plonge le public au centre du spectacle. Ici, on ne regarde pas la danse : on la vit. Debout, libre de ses mouvements, chaque spectateur devient acteur de l\u2019instant.\u00a0 \u00ab\u00a0360″<\/em>, c\u2019est aussi une r\u00e9flexion sur la force du collectif ; comment faire ensemble, comment c\u00e9l\u00e9brer le pouvoir du groupe tout en valorisant chaque individualit\u00e9 ? \u00c0 travers une \u00e9criture exigeante et profond\u00e9ment humaine, il propose une v\u00e9ritable communion des corps, une \u00e9nergie contagieuse et lib\u00e9ratrice.<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.14.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]Un ballet inclusif et organique :<\/strong> Le corps de ballet de la compagnie EMKA est \u00e0 l\u2019image du projet : inclusif, pluriel, vibrant. Chaque danseur\u00b7euse incarne sa singularit\u00e9 tout en participant \u00e0 une fresque commune. La beaut\u00e9 du mouvement collectif s\u2019impose, non pas comme une uniformisation, mais comme une c\u00e9l\u00e9bration des diff\u00e9rences. [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.14.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n
La musique : <\/strong>La compositrice Lucy Antunes signe une bande-son \u00e9lectro-organique, qui \u00e9pouse les vibrations du spectacle et guide les corps dans une transe douce et explosive.<\/p>\n
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\u00ab <\/em>Starting With The Limbs <\/em>\u00bb<\/em><\/h3>\n
<\/h3>\n
Annie Hanauer – Compagnie L’Autre Maison<\/h3>\n
27 juin 18:00 \/ 28 juin 17:00 \/ 29 juin 16:00 - Th\u00e9\u00e2tre La Cri\u00e9e<\/pre>\n
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La compagnie L\u2019Autre Maison :<\/strong> Implant\u00e9e \u00e0 Marseille et dirig\u00e9e par Andrew Graham, elle est r\u00e9guli\u00e8rement invit\u00e9e au Festival de Marseille (Parade<\/em> en 2022). Son objectif est de lutter contre l\u2019exclusion sociale dans le secteur culturel.<\/p>\n
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Qui est Annie Hanauer ? <\/strong>Une artiste de danse am\u00e9riciane ind\u00e9pendante prim\u00e9e, qui a travaill\u00e9 avec de nombreuses compagnies – notamment CANDOCO, pr\u00e9sent au Festival cette ann\u00e9e avec la pi\u00e8ce Over and Over (and over again<\/em>). Elle s’int\u00e9resse a\u0300 la cr\u00e9ativit\u00e9 et a\u0300 la r\u00e9silience des personnes ayant e\u0301te\u0301 \u00ab\u00a0exclues\u00a0\u00bb, en raison de leurs propres exp\u00e9riences de handicap.<\/p>\n
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Pour aller plus loin :<\/strong> Raimund Hoghe affirmait : \u00ab Mon corps est simplement un autre paysage. \u00bb<\/strong> Par cette phrase, le chor\u00e9graphe allemand, l\u2019un des premiers \u00e0 ouvrir la pratique artistique \u00e0 la diversit\u00e9 des corps, interroge notre regard sur le corps et sa repr\u00e9sentation.<\/p>\n
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C’est quoi l’inclusion artistique ? <\/strong>C’est la notion d’\u00e9galit\u00e9 de participation de toute personne dans des cr\u00e9ations artistiques, en situation de handicap (moteur, neurologique) ou non. La sc\u00e8ne doit \u00eatre un espace de libert\u00e9 o\u00f9 chacun\u00b7e peut prendre la parole et o\u00f9 tout le monde doit se sentir bien.<\/p>\n
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Une performance audacieuse : <\/strong>C\u2019est une performance interdisciplinaire m\u00ealant pratique artistique, nouvelles technologies (intelligence artificielle dans le processus de cr\u00e9ation, cr\u00e9ation d\u2019objets de sc\u00e9nographie par une imprimante 3D), et un long travail de recherche autour du corps et de ses limites (proth\u00e8ses).<\/strong><\/p>\n
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La programmation de la 30e \u00c9dition du Festival de Marseille est sortie !Pour avoir toutes les informations concernant les spectacles, ateliers, soir\u00e9es, et projections de films vous pouvez retrouver des ressources sur le site du Festival de Marseille.Pour r\u00e9server vos places 04 91 99 00 28ou rp5@festivaldemarseille.com Tarif : 5 euros par \u00e9l\u00e8veREP\/REP+, la tarification […]<\/p>\n","protected":false},"author":1,"featured_media":4543,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[20],"tags":[],"class_list":["post-4713","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programmation"],"jetpack_featured_media_url":"https:\/\/en-classe.festivaldemarseille.com\/wp-content\/uploads\/2025\/04\/FDM-2025_Affiche-paysage.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/en-classe.festivaldemarseille.com\/index.php\/wp-json\/wp\/v2\/posts\/4713","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/en-classe.festivaldemarseille.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/en-classe.festivaldemarseille.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/en-classe.festivaldemarseille.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/en-classe.festivaldemarseille.com\/index.php\/wp-json\/wp\/v2\/comments?post=4713"}],"version-history":[{"count":24,"href":"https:\/\/en-classe.festivaldemarseille.com\/index.php\/wp-json\/wp\/v2\/posts\/4713\/revisions"}],"predecessor-version":[{"id":5008,"href":"https:\/\/en-classe.festivaldemarseille.com\/index.php\/wp-json\/wp\/v2\/posts\/4713\/revisions\/5008"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/en-classe.festivaldemarseille.com\/index.php\/wp-json\/wp\/v2\/media\/4543"}],"wp:attachment":[{"href":"https:\/\/en-classe.festivaldemarseille.com\/index.php\/wp-json\/wp\/v2\/media?parent=4713"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/en-classe.festivaldemarseille.com\/index.php\/wp-json\/wp\/v2\/categories?post=4713"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/en-classe.festivaldemarseille.com\/index.php\/wp-json\/wp\/v2\/tags?post=4713"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}